San Francisco artist
Tamara Albaitis
is exhibiting a conceptual work at the
Prescott College Art Gallery in
the historic Sam Hill Warehouse, located at 232 N. Granite St. in
Prescott. According to their statement, the Prescott College Art Gallery
seeks to provide the Northern Arizona region with art exhibitions that
aesthetically stimulate and critically engage viewers, as well as
provide a diverse array of artists, emphasizing the domains of
environment and social justice.
The show, titled
Bricks and Bones, will run through March 24
thand
features an interactive sound installation. The gallery area is
entangled with wires, the wires of technology, and they enmesh the space
with cobweb-like profusion. Above, in the gallery rafters, clots of
black wires are massed about the timbers in a stuffed, hap hazardous way
as though they were carried and deposited there by flood waters, and
bodies of wires hang from the ceiling in disembodied masses.
Wires
hang off the walls from disengaged stereo speakers and wires protrude
through the walls, their tips uncoiled like metal root systems splayed
open to the air and attached to nothing. The artist has randomly pounded
small nails into white walls and then serendipitously connected some of
the nails together with black wire. In the center of the gallery, a
black, stereo speaker issues the sound of a heart beat and an audio
track plays throughout the space. Various sounds of industry are heard,
train whistles, cattle, the pounding of hammers, squeaking machinery,
voices, crowds and murmurs.
The
result is haunting and a bit unhinged. It's a perilous, disjointed
world, well worth viewing, that aptly articulates the artists statement
"I am interested in exemplifying a holistic understanding of our
relationship to nature, not only on the biological and physical level,
but also through complex socio-political stances that permeate the
psychosis of who we are."
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